Abstract
In part one of this chapter, I commence by positioning my artistic PhD project in its field of practice, before describing and presenting the variety of methods that I deploy to research, develop and document the questions that I am concerned with. In part two, I zoom in on the case study, Thresholds of Touch, a performative experiment based on an inter-disciplinary collaboration between a composer/researcher, a sociologist and an artist/researcher (myself). I share how we set up a collaborative methodology between social science and artistic research, and what it contributed to researching touch from my perspective on practice-based research. The power relations between disciplines, methods and forms of expression/ knowledge will be traced and discussed. Finally, in the conclusion I reflect on the research outcomes and speculate on how different documentation strategies would have foregrounded other experiences, insights and/or knowledge.
| Original language | English |
|---|---|
| Title of host publication | The Routledge International Handbook of Practice-Based Research |
| Editors | Craig Vear |
| Publisher | Routledge |
| Chapter | 5.17 |
| Number of pages | 9 |
| ISBN (Electronic) | 9780429324154 |
| DOIs | |
| Publication status | Published - Dec 2021 |
Themes from the UHS research agenda
- Art, imagination and society
- Care, welfare and flourishing
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